Year | Role | Play | Playwright | Director |
---|
2018 | | New Words Festival ─ TBA | Liam Salmon | Harrison Thomas / Judy Wensel |
2018 | | New Words Festival ─ TBA | Alice Abracen | Harrison Thomas / Judy Wensel |
2018 | Costume Designer | The Threepenny Opera | Bertolt Brecht and Kurt Weill | Eda Holmes |
2017 | Assistant to Annick Lavalee-Benny | Kiss of the Spider Woman | Manuel Puig | Harrison Thomas |
2017 | Assistant to Annick Lavalee-Benny | Jackie | Elfriede Jelinek | Judy Wensel |
2017 | Set and Costume Designer | The Observed Flight of Birds | Christian Barry and Anthony Black, with the Ensemble | Christian Barry and Anthony Black |
2017 | Set Desinger | Rambuku | Jon Fosse | Judy Wensel |
2017 | Set Designer | 27 Wagons Full of Cotton | Tennessee Williams | Harrison Thomas |
2017 | Assistant to Jessica Poirier-Change, Cutter | Exit The King & Lear | Eugene Ionesco / Young Jean Lee | Brendan Healy |
2015 | Dresser | Orlando | Virginia Woolf, adapted by Sarah Ruhl | Eda Holmes |
Costumes : Louise Jobin , François St. Aubin, Jill Thomson Cutting and Sewing : Lynda Douville, Audrey Lee, Christine Neuss, Jill Thomson Milinery : Audrey Lee Colour and Drawing, Etching : François Vincent Perspective Drawing : Charles-Antoine Roy Technical Drawing : Stéphane Longpré Computer Assisted Drawing : Stéphane Longpré Photoshop : Pierre-Étienne Locas Model Building : Simon Guilbault, Stéphane Longpré Set Design : Pierre-Étienne Locas, Doug Paraschuk, Eo Sharp, Hans Winkler Theatre for young audiences : Gill Champagne Scenic Painting : Véronique Pagnoux Fabric Dyeing and Patina : Sylvie Chaput, Chloé Giroux-Bertand Fabrics : James Lavoie Props : Éliane Fayad, Angela Rassenti Production : Catherine La Frenière, Andrea Lundy, Louise Roussel History of Costumes : Josée Boisvert Introduction to Cinema : Louise Jobin Lighting : Luc Prairie Video : Lionel Arnould Text Analysis : Micheline Chevrier, Chantal Poirier Ethics : Caroline Mackenzie Management : Charline Boulerice Carpentry : Guillaume Simard Costume Coaching 2nd & 3rd Year : Patrice Charbonneau-Brunelle, Elen Ewing, Louise Jobin, Sarah Lachance, Jill Thomson Set Coaching 3rd Year : Max-Otto Fauteux Directing Project : Micheline Chevrier, Sébastien David, Dean Patrick Fleming, Christian Lapointe Makeup : Florence Cornet Hair : Réjean Forget, Carol Gagné
2017 | The Bluebird Mechanicals - Puppet Costume Cutter, directed by Talya Rubin, Too Close to the Sun Theatre, Montreal, QC |
2017 | Westwind VR - Costume Designer and Creator, directed by Jeff Barnaby, Produced by TIFF, imagineNATIVE, Pinnguaq and the Initiative for Indigenous Futures |
2017 | Suite 1742 - A Virtual Bed-In Experience - Extras Dresser, directed by Carl Ruscica, Unlimited VR Productions |
2017 | Fear of the Walking Dead - Survival - Art Department Assistant, directed by Josh Usheroff, Black Box Productions |
2017 | Put Your Money On Me video clip for Arcade Fire (Unreleased) - Extras Dresser, Mom Industries, Montreal, QC |
2017 | Rae - Set Dresser, directed by Kawennáhere Devery Jacobs, Dais Creative Inc, Kahnawake, QC |
2017 | Eggtarts - Art Director, directed by Julian Stramboulieh, Beanduck Productions, Montreal, QC |
2017 | Exhibition of Etchings and Models - created under the supervision of François Vincent and Stéphane Longpré, Atelier Circulaire, Montréal, QC |
2016 | Les Pays d'en Haut - Distressing and Patina sub-contract under Chloe Giroux-Bertrand, Montreal, QC |
2016 | Beyguls fun Benny - Costume Designer, Segal Centre for the Performing Arts, Montreal, QC |
2016 | Hansel and Gretel - Costume Designer, Segal Centre for the Performing Arts, Montreal, QC |
AutoCAD, SketchUp, Photoshop, driver's license, cutting, millinery, shoe repair and alteration, carpentry, set and props building, model making