Photo(s): Maxime Côté
Kathleen MacLean
Acting (2018)
Height: 5'11
Vocal Range: Soprano
Hair Color: Brown
Eye Color: Hazel
Productions at the National Theatre School
| Year | Role | Play | Playwright | Director |
|---|---|---|---|---|
| 2018 | TBA | New Words Festival - TBA | Alice Abracen | Judy Wensel |
| 2018 | TBA | New Words Festival - TBA | Liam Salmon | Harrison Thomas |
| 2018 | Mrs. Peachum | The Threepenny Opera | Bertolt Brecht and Kurt Weill | Eda Holmes |
| 2017 | Moretta | The Rover | Aphra Behn | Tadeusz Bradecki |
| 2017 | Detective Morales, Fight Captain | The Observed Flight of Birds | Anthony Black, Christian Barry and David Gagnon Walker, with the Ensemble | Anthony Black with Christian Barry |
| 2017 | Hippolyta, 1st Fairy, Robin Starveling | A Midsummer Night’s Dream | William Shakespeare | David Latham |
| 2017 | Ruby | Hot Fudge | Caryl Churchill | Alisa Palmer, with Harrison Thomas |
| 2017 | Joan (excerpt), Cecily Cardew (excerpt) | Shaw Period Study | George Bernard Shaw and others | Graeme Somerville / Marla McLean |
| 2016 | Yelena | Uncle Vanya | Anton Chekhov, tr. Annie Baker | Jackie Maxwell |
| 2016 | Pam, Elise | Naturalism / Contemporary Canadian Play Study | George F. Walker, Leanna Brodie | Brenda Bazinet |
| 2015 | Marguerite | Scene Study - The Coronation Voyage | Michel Marc Bouchard, tr. Linda Gaboriau | Martha Burns, Cara Ricketts and JoJo Rideout |
Training at the National Theatre School
Under the direction of Alisa Palmer
Acting : Brenda Bazinet, Tadeusz Bradecki, Martha Burns, Eda Holmes, David Latham, Marla McLean, Jackie Maxwell, Alisa Palmer, Cara Ricketts, JoJo Rideout, Graeme Somerville, Ian Watson Classical Text / Shakespeare : David Latham, Ian Watson Contemporary Monologue : Fiona Byrne Devised Creation : Anthony Black, Christian Barry Film : Martha Burns, Jared Lorenz, Cassandra Nicolaou Voice / Speech : Jane Gooderham, JoJo Rideout, Laurel Thomson Dialect Coach : Jane Gooderham Voice-Over : Alain Goulem Choir / Music Theory : Douglas Price Solo Theatre Song : Douglas Price, Jay Turvey Alexander Technique : Kelly McEvenue Stage Combat : Anita Nittoly, John Stead Neutral Mask and Expressive Mask : David Latham Improvisation : Mike Hughes Jeu : Adam Lazarus Movement : Rebecca Harper 20th Century Dance : Jocelyn Coutu Contemporary Dance Forms : Andrew Giday New Play Development : Brian Drader, Andrea Romaldi Solo Piece : Ann-Marie MacDonald, Rose Plotek Stage Make-up : Florence Cornet Theatre History : Susan Williams Professional Development : Diana Donnelly
Related Training
| 2011-2015 | University of Saskatchewan Acting Program, Saskatoon, SK |
| 2014 | Shakescenes Workshop (Audit), Christopher Weddell, Saskatoon, SK |
| 2011 | Professional Modelling, SHE Modelling Agency, Saskatoon, SK |
Professional Experience
| 2015 | Persuasion - Anne, Ian Elliot, Newman Players, Saskatoon, SK |
| 2015 | 7 Stories - Charlotte, Pamela Haig Bartley, Greystone Theatre (University of Saskatchewan) |
Related Skills and/or Interests
Dialects: RP, London, Australian, American Southern. Piano (RCM Gr.8), Driver's Licence, Horseback Riding, Singing, Ukrainian Dance, Yoga, Self Help Coaching