Year | Role | Play | Playwright | Director |
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2018 | Sound Designer | New Words Festival - TBA | Alice Abracen | Judy Wensel |
2018 | Video Designer | The Threepenny Opera | Bertolt Brecht and Kurt Weill | Eda Holmes |
2017 | Lighting Designer | The Rover | Aphra Behn | Tadeusz Bradecki |
2017 | Production Manager | The Observed Flight of Birds | Christian Barry and Anthony Black, with the Ensemble | Christian Barry and Anthony Black |
2017 | Head of Sound | New Words Festival ─ These Peaceable Kingdoms | Chelsea Woolley | Andrea Donaldson |
2017 | Head of Sound | New Words Festival ─ we could be clouds | Gary Mok | Nigel Shawn Williams |
2017 | Co-Creator | Central Project - Lawrence and Holloman | Morris Panych | Arianna Bardesono |
2017 | Stage Manager | Zig, Zig, Zig: Three Churchill Shorts | Caryl Churchill | Alisa Palmer, Asst. Harrison Thomas |
2016 | Stage Carpenter/Head of Flies | The Laramie Project | Moisés Kaufman | Djanet Sears |
2016 | Head Electrician | Much Ado | Philip McKee and the Acting class of 2017 | Philip McKee |
2016 | Crew | New Words Festival – Vacuum | Rachel Ganz | Carly Chamberlain |
2016 | Crew | New Words Festival – The Listening Room | Michaela Jeffery | Tanya Rintoul |
2016 | Crew | Hamlet | William Shakespeare | Alisa Palmer |
2015 | Assistant Stage Manager | Orlando | Virginia Woolf, adapt. by Sarah Ruhl | Eda Holmes |
2015 | Crew | Total Liquidation | Jordan Tannahill with the Ensemble | Jordan Tannahill |
Theatre Technology : Richard Bélanger, Mark Bye, David Alexandre Chabot, David Jodoin Lighting Design and Technology : David Alexandre Chabot, Jason Hand, Kaileigh Krysztofiak, Andrea Lundy, Michelle Ramsay, Leigh Ann Vardy Projection Design and Technology : Cameron Davis, Alex Williams Sound Design and Technology : Jesse Ash, John Gzowski, Richard Feren, Matthew Waddell Production Management : Andrea Lundy, Peter Roberts Stage Management : Shauna Janssen, Sarah-Marie Langlois, Alison Peddie, Maria Popoff, Melanie St. Jacques, Kathryn Westoll Technical Direction : Mitch Jamieson, David Jodoin, Craig Putt, Robert Rombough, Dave Surette Directing : Arianna Bardesono, Diana Fajrajsi Carpentry and Welding : Guillaume Simard, Christian Larochelle CADD and Vectorworks : David Alexandre Chabot, Kaileigh Krysztofiak, Luc Prairie Health and Safety : Janet Sellery Costume Design : Jill Thomson Scenic Design : Chris Brown, Amy Keith Rigging and Electrics : Paul Court, Hervé Landreville Life Drawing : Catherine Farish Theatre History : Leah Jane Esau, Peter Roberts, Susan Williams Theatre Administration : Rick Banville, Pat Bradley, Shauna Janssen, Jeanne LeSage, Kathryn Westoll, Matt White Text Analysis : Arianna Bardesono, Nick Carpenter, Leah Jane Esau, Wolfgang Noethlichs Music : Douglas Price Combat : Anita Nittoly, John Stead Project Coaches : Audrey-Anne Bouchard, Mark Bye, David Alexandre Chabot, Crystal Laffoley
2017 | Riding Hood - Set Designer, Fringe Festival, London, ON |
2017 | 2017 Season - Technical Director, Port Stanley Festival Theatre, Port Stanley, ON |
2017 | Footloose - Set Designer, Laurier Musical Theatre, Waterloo, ON |
2016 | 2016 Season - Production Stage Manager / Production Designer, Gros Morne Summer Music, Corner Brook, NL |
2016 | Heathers: The Musical - Sound Designer, Musical Theatre Productions, London, ON |
2014 | JUDY: Stonewalled! - Stage Manager / Lighting Designer, LINK Theatre Company, London, ON |
2014 | 2014 Season - Scenic Painter, The Grand Theatre, London, ON |
2014 | Billy Bishop Goes to War - Assistant Stage Manager, LINK Theatre Company, London, ON |
Lighting Design, Sound Design and Composition, Video Design, Set Design, Costume Design, Stage Management, Carpentry, Film and Television.
Programs: Microsoft Office Series, AutoCAD, Vectorworks, Lightwright, QLab, Pro Tools, Logic X, Photoshop, InDesign, After Effects, Character Animator, Illustrator.
Other: Sewing, Musically literate.