Year | Role | Play | Playwright | Director |
---|
2018 | Stage Manager | The Threepenny Opera | Bertolt Brecht adapted by Kurt Weill | Eda Holmes |
2018 | Production Manager | The New Words Festival - What Rough Beast | Alice Abracen | Judy Wensel |
2018 | Production Manager | The New Words Festival - The Words We Do Not Have | Liam Salmon | Harrison Thomas |
2017 | Stage Manager | The Observed Flight of Birds | Anthony Black with the Ensemble | Anthony Black with Christian Barry |
2017 | Video Designer | The Rover | Aphra Behn | Tadeusz Bradecki |
2017 | Production Manager & Technical Director | A Midsummer Night's Dream | William Shakespeare | David Latham |
2017 | Head of Video | Lear | Young Jean Lee | Brendan Healy |
2017 | Head of Video | Exit the King | Eugene Ionesco | Brendan Healy |
2016 | Production Assistant | The Laramie Project | Moisés Kaufman and the members of the Tectonic Theatre Project | Djanet Sears |
2015 | Assistant Stage Manager | Orlando | Sarah Ruhl | Eda Holmes |
Theatre Technology : Richard Bélanger, David Alexandre Chabot, David Jodoin Lighting Design and Technology : David Alexandre Chabot, Jason Hand, Kaileigh Krysztofiak, Andrea Lundy, Michelle Ramsay, Leigh Ann Vardy Projection Design and Technology : Cameron Davis, Alex Williams Sound Design and Technology : Jesse Ash, John Gzowski, Matthew Waddell Production Management : Andrea Lundy, Peter Roberts, Crystal LaFolley Stage Management : Shauna Janssen, Sarah-Marie Langlois, Arwen MacDonell, Alison Peddie, Maria Popoff, Melanie St. Jacques, Kathryn Westoll Technical Direction : Mitch Jamieson, David Jodoin, Craig Putt, Dave Surette Directing : Arianna Bardesono, Diana Fajrajsi Carpentry and Welding : Guillaume Simard CADD and Vectorworks : David Alexandre Chabot, Kaileigh Krysztofiak, Luc Prairie Health and Safety : Janet Sellery Costume Design : Jill Thomson Scenic Design : Chris Brown, Amy Keith Rigging and Electrics : Paul Court, Hervé Landreville Life Drawing : Catherine Farish Theatre History : Leah Jane Esau, Peter Roberts, Susan Williams Theatre Administration : Rick Banville, Pat Bradley, Shauna Janssen, Jeanne LeSage, Kathryn Westoll, Matt White Text Analysis : Arianna Bardesono, Nick Carpenter, Leah Jane Esau, Wolfgang Noethlichs Music : Douglas Price Combat : Anita Nittoly
2019 | Sex - Apprentice Stage Manager, The Shaw Festival |
2019 | Brigadoon - Rehearsal Apprentice Stage Manager, The Shaw Festival |
2019 | Fall On Your Knees (Workshop) - Stage Manager, The Citadel/NAC/Theatre Calgary/Vita Brevis |
2018 | The Children - Apprentice Stage Manager, Canadian Stage/Centaur Theatre |
2018 | The Buddy Holly Story - Apprentice Stage Manager, The Thousand Islands Playhouse |
2017 & 2018 | The Dora Mavor Moore Awards - Backstage Production Assistant, Toronto Alliance for the Performing Arts |
2017 | Only Drunks and Children Tell the Truth - Apprentice Stage Manager, The Thousand Islands Playhouse |
2017 | The Nails - Stage Manager, Summerworks Festival |
2017 | Boom - Apprentice Stage Manager, Kidoons Productions/The Thousand Islands Playhouse |
2016 | In a Blue Moon - Apprentice Stage Manager, The Thousand Islands Playhouse |
2016 | Life After - Assistant Stage Manager/Sound Designer, Toronto Fringe Festival |
2015 | The Things We Do For Love - Apprentice Stage Manager/Production Assistant, Odyssey Theatre |
IODE Canada Scholarship (2017)
Stage management, assistant stage management
Great with a photocopier, ability to read music, understanding of SND/VID/LX systems, full G license, proficiency and love for scheduling, sense of humour, exemplary personal skills, very fast learner