Photo(s): Tim Leyes
Bart Demczuk
Acting (2017)
Language(s) : French, Polish
ACTRA Apprentice
Height: 5'11''
Vocal Range: Baritone
Hair Color: Brown
Eye Color: Brown
Productions at the National Theatre School
| Year | Role | Play | Playwright | Director |
|---|---|---|---|---|
| 2017 | TBC | Mount Heaven | Gary Mok | Nigel Shawn Williams |
| 2017 | TBC | These Peaceable Kingdoms | Chelsea Woolley | Andrea Donaldson |
| 2017 | TBC | Exit The King & Lear | Eugene Ionesco / Young Jean Lee | Brendan Healy |
| 2016 | Stephen Belber/Doc O'Connor/Matt Galloway | The Laramie Project | Moisés Kaufman | Djanet Sears |
| 2016 | Leonato | Much Ado | Philip McKee with the Ensemble | Philip McKee |
| 2016 | Edmund | King Lear | William Shakespeare | David Latham |
| 2016 | Trevelyn/Boy | Loveplay | Moira Buffini | Ann-Marie Kerr |
| 2016 | Lord Goring | Shaw Period Study – An Ideal Husband | George Bernard Shaw and others | Sharry Flett / Graeme Somerville / Marla McLean |
| 2015 | R.J. | Contemporary Canadian Play Study – Problem Child | George F. Walker | Rosemary Dunsmore |
| 2015 | Creon | Full Play Study – Antigone | Jean Anouilh | Rose Plotek |
| 2014 | Étienne | Scene Study – The Coronation Voyage | Michel Marc Bouchard, tr. Linda Gaboriau | Martha Burns |
Training at the National Theatre School
Under the direction of Alisa Palmer
Acting : Brenda Bazinet, Tadeusz Bradecki, Martha Burns, Rosemary Dunsmore, David Latham, Alisa Palmer, Karen Robinson Classical Text/Shakespeare : David Latham, Ian Watson Contemporary Monologue : Diana Donnelly Devised Creation : Fatma Sarah Elkashef, Philip McKee, Ann-Marie MacDonald, Ravi Jain, Thomas Morgan Jones Film : Martha Burns, Rosemary Dunsmore, Jared Lorenz, Cassandra Nicolaou Voice/Speech : Jane Gooderham, JoJo Rideout, Laurel Thomson Dialect : Jane Gooderham Voice-Over : Marcel Jeannin Choir/Music Theory : Douglas Price Solo Theatre Song : Douglas Price, Jay Turvey Alexander Technique : Kelly McEvenue Stage Combat : Anita Nittoly, John Stead, Geoff Scovell Neutral Mask and Expressive Mask : David Latham Improvisation : Mike Hughes Jeu : Adam Lazarus Movement : Rebecca Harper 20th Century Dance : Jocelyn Coutu Contemporary Dance Forms : Andrew Giday New Play Development : Brian Drader Solo Piece : Ann-Marie MacDonald, Rose Plotek Stage Make-up : Florence Cornet Theatre History : Susan Williams
Related Training
| 2010-2013 | Professional Theatre, Dawson College, Montreal, QC |
| 2013-2014 | Theatre Performance, Concordia University, Montreal, QC |
Professional Experience
| 2013 | Lunduntown - Role: Ahmed. Directed by Anton Golikov. Raise The Stakes Theatre, Montreal, QC |
| 2014 | Remember: Our Motherland - Role: Thomas. Directed by Gara Nlandu. Uni-T Entertainment, Montreal, QC |
| 2016 | Se rincer l’âme au windshield washer - Role: Walter Gee. Directed by Emmanuelle Brousseau and Mélanie Whissell. Le Cabinet d’Ingéniosités, Fringe Festival, Montreal, QC |
Related Skills and/or Interests
Accents: RP British, Cockney. Ballroom Dance (3 years - Bronze Level 1 & 2 at Arthur Murray - Waltz, Foxtrot, Tango, Salsa, Swing, etc). Stage Combat: hand-to-hand, rapier, dagger. Piano (4 years).